THE KITCHEN ARMOURY:
CUIR BOUILLI ON THE ELECTRIC STOVE

PART FIVE: ARMS - COUTERS AND ROUNDELS

INTRODUCTION

Armour to protect the elbows (couters) was taken up some time later than knee armour (poleyns) was, to judge by the effigies, though L & F Funken1 suggest around 1300 for both.

Effigies begin to show couters after 1300, such as the 1320 brass of Sir William FitzRalph2. (Compare this with the 1277 effigy of Sir John D'Abernoun). Sir William's strongly suggest cuir bouilli construction, especially with the detailed tooling of the poleyns.

A later D'Abernoun, Sir John D'Aubernoun Jr3, 1327, shows the use of both couters and roundels attached with points.

Roundels are now used to provide extra protection for the armpit and/or the shoulder joint and the inner elbow. Shoulder roundels are commonly called Besagaws.

   
      FitzRalph   D'Abernoun Jr

Pictured from left: poleyns, elbow roundels, shoulder roundels, and couters laid out for drying. Note that the curvature is more consistent for the couters than for the poleyns which had been made first.


Poleyns, couters, and roundels

Close-up view of couters from the top.


Couters: top view

Close-up view of couters from the front. Although the curvature around the elbow is good, you can see that the curvature vertically differs.


Front view

Close-up view of couters from the top. This view shows why the vertical curvature differs - note the greater dishing of the right-hand couter.


Side view

Close-up view of couters from the bottom. Here the effect of the differing curvature results in a narrowing at the base. As a result the right-hand couter is used on the left elbow as potential restrictions in movement are not so important to a right-hander.


Bottom view

ASSEMBLY

The roundels and couters were drilled to take points and attached to gambeson. Correct placement of the couters was exceptionally difficult as was doing this by myself4.

Attachment Process

  1. Put on gambeson, slide the couters into place over the elbow and mark the outline in chalk on the gambeson
  2. Remove gambeson and place temporary points (shoelaces) on gambeson with safety pins, the tie couters in place.
  3. Put on gambeson, bend arms and look for gaps in protection, undo points and re-mark position.
  4. Repeat from #2 until correct.
  5. Permanently attach points5.
  6. Lace couters onto points and then place elbow roundel on top; tie off with weaver's knot (single-loop bow)
  7. Lace shoulder roundels onto points and tie off. (The same process for positioning roundels was used as for the couters, but this was much easier as the roundel simply has to protect the armpit when arm is raised).

LESSON

Once assembled the couters and roundels give excellent protection and are so lightweight that you hardly know they are there. However, as noted in the Leg Armour article, the inability to shape cuir bouilli as precisely as steel explains why poleyns and couters were the first pieces of plate armour to be used nearly universally.


Attached to gambeson

FOOTNOTES

1 Arms and Uniforms, The Age of Chivalry Part 2; Lilane and Fred Funcken; Ward Lock, London; 1981 (or Part 1, 1980 uncertain)

2 "Kelly's Brass" is the only reference I have image scanned from a book which is in storage. Will update this when I locate it.

3 Also a "Kelly's Brass" - see footnote 2

4 I later re-did the job with assistance, but the result wasn't any better as it is the feel of the couter from within the gambeson, not it's apparently correct positioning from the outside which counts.

5 Finger-woven silk points with brass aiglets at the ends. Note: silk is very slippery for points and they tend to undo themselves. I solved this by dripping melted beeswax onto the areas which need to grip, removing excess with fingers once the wax hardened, and then tying them off.


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Created by Sue Leader - July 27 2007